John Smith Hurt, known as Mississippi John Hurt, was an American country blues singer, songwriter, and guitarist.

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John Smith Hurt (March 8, 1893 – November 2, 1966), known as Mississippi John Hurt, was an American country blues singer, songwriter, and guitarist.\n

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Biography

Early years

John Hurt was born in Teoc, Carroll County, Mississippi and raised in Avalon, Mississippi. His parents, Isom and Mary, had both been slaves and as was common after the Civil War, they continued working on the same plantation, now as sharecroppers, for the same owner.\n

John taught himself to play guitar at the age of nine. To earn extra money, his mother took in boarders. One of them, William Henry Carson, who played a guitar and was a friend of John's mother, often stayed at the Hurt home while courting a woman who lived nearby. When no one was around, John would play Carson's guitar. As a youth, he played old-time music for friends and at dances or at the local general store. His syncopated playing style was ideal for dancing.\n

He worked as a farmhand and sharecropper, sometimes working for the railroad into the 1920s. On occasion, a medicine show came through the area. Hurt recalled that one wanted to hire him: \"One of them wanted me, but I said no because I just never wanted to get away from home.\"\n

First recordings

In 1923, he played with the fiddle player Willie Narmour as a substitute for Narmour's regular partner, Shell Smith. When Narmour won first place in a fiddle contest in 1928 and got a chance to record for Okeh Records, he recommended Hurt, who by that time had a good reputation, to Okeh producer Tommy Rockwell. After auditioning \"Monday Morning Blues\" at his home, Hurt took part in two recording sessions where he recorded 20 songs, in Memphis and New York City. While in Memphis, he recalled seeing \"many, many blues singers ... Lonnie Johnson, Blind Lemon Jefferson, Bessie Smith, and lots, lots more.\" Hurt described his first recording session:\n

... a great big hall with only the three of us in it: me, the man [Rockwell], and the engineer. It was really something. I sat on a chair, and they pushed the microphone right up to my mouth and told me that I couldn't move after they had found the right position. I had to keep my head absolutely still. Oh, I was nervous, and my neck was sore for days after.

The records sold modestly well, not only with the black community but also among southern whites. Hurt attempted further negotiations with Okeh to record again but Okeh declined since his record sales were only modest. Okeh went out of business during the Great Depression, and Hurt returned to Avalon and obscurity, working as a sharecropper and playing at local parties and dances.\n

Rediscovery and death

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In 1952, musicologist Harry Smith included John's version of \"Frankie and Johnny\" and \"Spike Driver Blues\" in his seminal collection The Anthology of American Folk Music which generated considerable interest in locating him. When a copy of his \"Avalon Blues\" was discovered in 1963, it led musicologist Dick Spottswood to locate Avalon, Mississippi on a map and ask his friend, Tom Hoskins, who was traveling that way, to enquire after Hurt.\n

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Upon locating Hurt, Hoskins persuaded him to perform several songs, to ensure that he was genuine. Hoskins was convinced and, seeing that Hurt's guitar playing skills were still intact, encouraged him to move to Washington, D.C., and perform for a broader audience. Early in 1963 Hurt recorded an album, Folk Songs and Blues, that was released in August 1963 through Piedmont Records.\n

This added to the American folk music revival which was blooming at that time and inspired the search for and the rediscovery of many other bluesmen of Hurt's era such as Son House, Skip James, Bukka White, Mance Lipscomb and Lightnin' Hopkins. Hurt performed on the festival, university and coffeehouse concert circuits with other Delta blues musicians who were brought out of retirement. His performances in 1963 at the Newport Folk Festival and the Philadelphia Folk Festival caused his star to rise. In 1964, he recorded live for radio station WTBS-FM In Cambridge, Massachusetts as did Skip James.\n

For three years, Hurt performed extensively at colleges, concert halls, and coffeehouses, appearing on The Tonight Show Starring Johnny Carson, on Pete Seeger's public TV show, Rainbow Quest alongside Hedy West and Paul Cadwell and had a write up in Time. He also recorded three albums for Vanguard Records. Much of his repertoire was also recorded for the Library of Congress. His fans particularly liked the ragtime songs \"Salty Dog\", \"Candy Man\" and the blues ballads \"Spike Driver Blues\" (a variant of \"John Henry\") and \"Frankie\".\n

Hurt's influence spanned several music genres including blues, spirituals, country, bluegrass, folk, and contemporary rock and roll. A soft-spoken man, his nature reflected his work which was a mellow mix of country, blues, and old-time music.\n

Mississippi John Hurt made his last recordings at a hotel in New York City in February and July of 1966, though they were not released until 1972 on the Vanguard LP Last Sessions. He died of a heart attack on November 2, 1966 at a hospital in Grenada, Mississippi.\n

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Several record labels recorded his songs. They have been covered by Bob Dylan, Dave Van Ronk, Jerry Garcia, Beck, Doc Watson, John McCutcheon, Taj Mahal, Bruce Cockburn, David Johansen, Bill Morrissey, Gillian Welch, The Be Good Tanyas, Josh Ritter, Chris Smither, Guthrie Thomas, Parsonsfield, and Rory Block among others.\n

Style

Hurt used a syncopated finger picking style of guitar playing that he taught himself. He was influenced by few other musicians, among them was Rufus Hanks, an elderly, unrecorded blues singer from the Avalon area who played twelve-string guitar and harmonica.\n

According to the music critic Robert Christgau, \"the school of John Fahey proceeded from his finger picking and while he's not the only quietly conversational singer in the modern folk tradition, no one else has talked the blues with such delicacy or restraint.\"\n

Tributes

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There was a memorial and museum dedicated to Hurt in Avalon, Mississippi, parallel to Rural Route 2, the rural road he grew up on. On February 20, 2024, it was destroyed in a fire the day after being made a National Landmark. Arson is not suspected.\n

The folk-rock band The Lovin' Spoonful took their name from a recurring phrase in Hurt's song \"Coffee Blues\".\n

The singer-songwriter Tom Paxton, who met Hurt and played on the same bill with him at the Gaslight in Greenwich Village around 1963, wrote and recorded a song about him in 1977, \"Did You Hear John Hurt?\".\n

The first track of John Fahey's 1968 solo acoustic guitar album Requia is \"Requiem for John Hurt\". Fahey's posthumous live album, The Great Santa Barbara Oil Slick, also features a version of the piece, entitled \"Requiem for Mississippi John Hurt\".\n

Norman Greenbaum's eclectic minor hit, \"Gondoliers, Shakespeares, Overseers, Playboys And Bums\" refers to Mississippi John Hurt singing the blues.\n

The British folk and blues artist Wizz Jones recorded a tribute song, \"Mississippi John\", for his 1977 album Magical Flight.\n

The Delta blues artist Rory Block recorded the album Avalon: A Tribute to Mississippi John Hurt, released in 2013 as part of her \"Mentor Series\".\n

The New England singer-songwriter Bill Morrissey released the Grammy-nominated album Songs of Mississippi John Hurt in 1999.\n

In 2017, Hurt's life story was told in the documentary series American Epic. The film featured footage of Hurt performing and being interviewed, and improved restorations of his 1920s recordings. Director Bernard MacMahon stated that Hurt \"was the inspiration for American Epic\". Hurt's life was profiled in the accompanying book, American Epic: The First Time America Heard Itself.\n

In 2023, Rolling Stone ranked Hurt at number 159 on its list of the 200 Greatest Singers of All Time.\n

In 2019, the Killer Blues Headstone Project placed a stone for Hurt at the family plot in Avalon.\n

Discography

Stefan Wirtz's in depth, illustrated discography \n

Dixon, Robert M., Goodrich, John W. and Rye, Howard - Blues and Gospel Records, 1890-1943, Fourth Edition \n

AllMusic discography \n

78 rpm releases

\"Frankie\" / \"Nobody's Dirty Business\" (Okeh Records, Okeh 8560), 1928
\"Stack O' Lee\" / \"Candy Man Blues\" (Okeh Records, OKeh 8654), 1928
\"Blessed Be the Name\" / \"Praying on the Old Camp Ground\" (Okeh Records, OKeh 8666), 1928
\"Blue Harvest Blues\" / \"Spike Driver Blues\" (Okeh Records, OKeh 8692), 1928
\"Louis Collins\" / \"Got the Blues (Can't Be Satisfied)\" (Okeh Records, OKeh 8724), 1928
\"Ain't No Tellin'\" / \"Avalon Blues\" (Okeh Records, OKeh 8759), 1928

Later career albums

Folk Songs and Blues (Piedmont Records, PLP 13157), 1963
Worried Blues, live recordings (Piedmont Records, PLP 13161), 1964
Today! (Vanguard Records, VSD-79220), 1966
The Immortal Mississippi John Hurt (Vanguard Records, VSD-79248), 1967
The Best of Mississippi John Hurt, live recording from Oberlin College, April 15, 1965 (Vanguard Records, VSD-19/20), 1970
Last Sessions (Vanguard Records, VSD-79327), 1972
Volume One of a Legacy, live recordings (Piedmont Records, CLPS 1068), 1975
Monday Morning Blues: The Library of Congress Recordings, vol. 1 (Flyright Records, FLYLP 553), 1980
Avalon Blues: The Library of Congress Recordings, vol. 2 (Heritage Records, HT-301), 1982
Satisfied, live recordings (Quicksilver Intermedia, QS 5007), 1982
The Candy Man, live recordings (Quicksilver Intermedia, QS 5042), 1982
Sacred and Secular: The Library of Congress Recordings, vol. 3 (Heritage Records, HT-320), 1988
Avalon Blues (Flyright Records, FLYCD 06), 1989
Memorial Anthology, live recordings (Genes Records, GCD 9906/7), 1993
Rediscovered (Vanguard Records, CD 79519), 1998
The Complete Recordings (Vanguard Records, CD 70181–2), 1998

Selected pre-war albums

The Original 1928 Recordings (Spokane Records SPL 1001) 1971
1928: Stack O' Lee Blues – His First Recordings (Biograph Records BLP C4) 1972
1928 Sessions (Yazoo Records L 1065) 1979
Satisfying Blues (Collectables Records VCL 5529) 1995
Avalon Blues: The Complete 1928 Okeh Recordings (Columbia Records CK64986) 1996
Candy Man Blues: The Complete 1928 Sessions (Snapper Music SBLUECD 010) 2004
American Epic: The Best of Mississippi John Hurt (Lo-Max / Sony Legacy / Third Man, TMR-459) 2017
MISSISSIPPI JOHN HURT - The Man From Avalon Pristine PABL004, pitch corrected, 13 tracks including one unissued track.

Notes

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References

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External links

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Mississippi John Hurt Foundation, official website, includes information about the annual Mississippi John Hurt Music Festival in Avalon, Mississippi.
Mississippi John Hurt Museum, official website.
Mississippi John Hurt News. Website run by Hurt's grandnephew Fred Bolden, with forums and discussions open to the public.
Illustrated Mississippi John Hurt discography
Works by or about Mississippi John Hurt at the Internet Archive
Allmusic
Mississippi John Hurt discography at Discogs
Mississippi John Hurt at IMDb
Mississippi John Hurt's \"Stackolee\", Recording, sheet music, and guitar tab.
Interview of Mississippi John Hurt Interview conducted by Tom Hoskins and Nick Perls on October 13, 1963 in Washington, DC.
Mississippi John Hurt biography on TheBluesHistory.com

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Biography

Early years

First recordings

Rediscovery and death

Style

Tributes

Discography

78 rpm releases

Later career albums

Selected pre-war albums

Notes

Further reading

References

External links

Mississippi John Hurt

Broadcast History