Deborah Ann Harry is an American singer, songwriter and actress, best known as the lead vocalist of the band Blondie. Labelled the \"Queen of New Wave\" by American Songwriter, four of her songs with the band reached No. 1 on the U.S. Billboard Hot 100 between 1979 and 1981.

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Deborah Ann Harry (born Angela Trimble; July 1, 1945) is an American singer, songwriter and actress, best known as the lead vocalist of the band Blondie. Labelled the \"Queen of New Wave\" by American Songwriter, four of her songs with the band reached No. 1 on the U.S. Billboard Hot 100 between 1979 and 1981.\n

Born in Miami, Florida, Harry was adopted as an infant and raised in Hawthorne, New Jersey. After college she worked various jobs—as a dancer, a Playboy Bunny, and a secretary (including at the BBC in New York)—before her breakthrough in the music industry. She co-formed Blondie in 1974 in New York City. The band released its eponymous debut studio album in 1976 and released three more studio albums between then and 1979, including Parallel Lines, which spawned six singles, including \"Heart of Glass\". Their fifth studio album, Autoamerican (1980), produced hits including a cover of \"The Tide Is High\", and \"Rapture\", which is considered the first rap song to chart at number one in the United States.\n

Harry released her debut solo studio album, KooKoo, in 1981. During a Blondie hiatus, she embarked on an acting career, appearing in lead roles in the neo-noir Union City (1980) and in David Cronenberg's body horror film Videodrome (1983). She released her second solo studio album, 1986's Rockbird, and starred in John Waters's cult dance film Hairspray (1988). She released two more solo albums between then and 1993, before returning to film with roles in a John Carpenter-directed segment of the horror film Body Bags (1993), and in the drama Heavy (1995).\n

Blondie reunited in the late 1990s, releasing No Exit (1999), followed by The Curse of Blondie (2003). Harry continued to appear in independent films throughout the 2000s, including Deuces Wild (2002), My Life Without Me and Spun (2003), and Elegy (2008). With Blondie, she released the group's ninth studio album, Panic of Girls, in 2011, followed by Ghosts of Download (2014). The band's eleventh studio album, 2017's Pollinator, charted at number 4 in the United Kingdom.\n

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Life and career

1945–1965: Early life

Harry was born Angela Trimble on July 1, 1945, at the Jackson Memorial Hospital in Miami, Florida. At the age of three months, she was adopted and renamed Deborah Ann Harry by Catherine (née Peters) and Richard Harry, of Hawthorne, New Jersey, later gift shop proprietors in Cooperstown, New York. She is of Scottish ancestry and her biological parents' surnames were Trimble and Mackenzie. Harry learned of her adoption at four years old. At first, she decided against locating her birth parents, but nonetheless, in the late 1980s, located her birth mother, a concert pianist, who chose not to establish a relationship with Harry. In her memoir, she recalls being a tomboy, spending much of her childhood playing in the woods adjacent to her home. During childhood, Harry sang in a church choir and made her stage debut in a sixth-grade school performance.\n

Harry attended Hawthorne High School, where she was voted \"Best Looking\", graduating in 1963. She graduated from Centenary College in Hackettstown, New Jersey, with an Associate of Arts degree in 1965. Before beginning her singing career, she moved to New York City in the late 1960s, and worked there as a secretary at BBC Radio's office for one year. Later, she was a waitress at Max's Kansas City, a go-go dancer in a discothèque in Union City, New Jersey, and a Playboy Bunny.\n

1966–1975: Early bands and formation of Blondie

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In the late 1960s, Harry began her musical career as a backing singer for the folk rock group The Wind in the Willows, which released an eponymous album in 1968 on Capitol Records.\n

In 1973, Harry joined The Stillettoes with Elda Gentile, Billy O'Connor, Fred Smith, Rosie Ross, and later with Amanda Jones. Shortly thereafter, the band added guitarist Chris Stein, who became her boyfriend. \n

In 1974, Harry and Stein left the Stillettoes (along with the band's bassist and drummer) and formed Angel and the Snake with Tish Bellomo and Snooky Bellomo. Shortly thereafter, they changed the name of the band to Blondie, named after the catcall men often directed at Harry after she bleached her hair blonde. The band quickly became regulars at Max's Kansas City and CBGB in New York City.\n

1976–1981: Global success

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With her beauty, \"daring\" choice of clothing, and two-tone bleached-blonde hair, Harry quickly became a punk icon.\n

Blondie released their self-titled debut album in 1976; it peaked at No. 14 in Australia and (later, in 1979) No. 75 in the United Kingdom. Their second album, Plastic Letters, garnered some success outside the United States, but their third album, Parallel Lines (1978), was a worldwide hit and catapulted the group to international success. It included the global hit single \"Heart of Glass\". Riding the crest of disco's domination, the track made No. 1 in the US and sold nearly two million copies. It also reached No. 1 in the UK and was the second highest-selling single of 1979.\n

In June 1979, Blondie was featured on the cover of Rolling Stone. Harry's persona, combining cool sexuality with streetwise style, became so closely associated with the group's name that many came to believe \"Blondie\" was the singer's name. The difference between the individual Harry and the band Blondie was emphasized by a \"Blondie is a group\" button campaign by the band in 1979. The band's success continued with the release of the platinum-selling Eat to the Beat album (UK No. 1, US No. 17) in September.\n

In August 1980, Harry had a photoshoot with Pop artist Andy Warhol at the Factory. The artist created a small series of four acrylic and silkscreen ink on canvas portraits of Harry in different colors, as well as Polaroids and a small number of rare silver gelatin prints from the shoot. Stein was also present that day to capture Warhol photographing Harry in a series of his own photographs later exhibited in 2013 in London.\n

The Blondie album Autoamerican (UK No. 3, US No. 7) was released in 1980. That year, Blondie had further No. 1 hits with \"Call Me\" (American Gigolo soundtrack) (US and UK No. 1), \"Atomic\" (Eat to the Beat album) (UK No. 1), \"The Tide Is High\" (US and UK No. 1), and \"Rapture\" (US No. 1).\n

During this time, both Harry and Stein befriended graffiti artist Fab Five Freddy, who introduced them to the emerging hip-hop scene in the Bronx. Freddy is mentioned in \"Rapture\". Through Fab Five Freddy they were also able to connect with Grandmaster Flash who was replaced by Jean-Michel Basquiat in the video. \"Rapture\" became the first rap-oriented song to reach No. 1 on the U.S. Billboard charts in 1981. Grandmaster Flash said Harry \"opened up so many doors for hip hop\" by mentioning him in \"Rapture\".\n

1981–1996: Solo work and acting

\nIn 1981, Harry issued a press release to clarify that her name was not \"Debbie Blondie\" or \"Debbie Harry\" but rather Deborah Harry, though Harry later described her character in the band as being named \"Blondie\", as in this quote from the No Exit tour book:

Hi, it's Deb. You know, when I woke up this morning I had a realization about myself. I was always Blondie. People always called me Blondie, ever since I was a little kid. What I realized is that at some point I became Dirty Harry. I couldn't be Blondie anymore, so I became Dirty Harry.

Harry began her solo career with the album KooKoo (1981). Produced by Nile Rodgers and Bernard Edwards of Chic, the album peaked at No. 25 in the US and No. 6 in the UK; and was later certified gold in the US and silver in the UK. The album's cover art was controversial, showing Harry apparently with skewers through her face, and many stores refused to stock it. \"Backfired\", the first single from the album, had a video directed by H.R. Giger (who also created the album's front cover featuring Harry's face with metal skewers through it). The single reached No. 43 on the Billboard Hot 100, No. 29 on the Hot Dance Club Songs, and No. 32 on the UK Singles Chart. \"The Jam Was Moving\" was lifted as the second single and peaked at No. 82 in the US. In the same year (1981) Harry appeared in the movie \"Downtown 81\" where Jean-Michel Basquiat played the leading role. Harry plays a bag lady who turns into a princess when Basquiat kisses her.\n

After a year-long hiatus, Blondie regrouped and released their sixth studio album, The Hunter (1982). The album was not as successful as their previous works, and a world tour was cut short due to slow ticket sales. It was around this time that Stein also fell seriously ill with the rare autoimmune disease pemphigus and Harry' solo output slowed down as she cared for him. His illness, along with declining record sales and internal struggles, caused the band to split up.\n

In June 1982, Harry contributed backing vocals to the Gun Club's second album, Miami, being credited as 'D.H. Lawrence Jr' while Stein also produced the record and is credited as 'bongos' and 'cover photos/design'. The Gun Club's singer Jeffrey Lee Pierce was an ardent fan, emulating Harry's hairstyle and founding the West Coast Blondie Fan Club, before becoming friends with the band in New York.\n

Harry released the single \"Rush Rush\" in 1983 (produced by Giorgio Moroder and taken from the film Scarface), but it was commercially unsuccessful. The same year, Harry had a leading role in David Cronenberg's body horror film Videodrome (1983), playing the sadomasochistic lover of a television producer who uncovers an underground video output of snuff films. Harry received rave reviews for her performance in the film. Critic Howard Hampton noted in a retrospective that Harry \"carries herself with the wry, burned-out, but still titillated instincts of a voyager buying a one-way ticket for the outer limits. A vivid, smallish part can either anchor or undo a risky, conceptually spiky film like David Cronenberg's viscerally deranged phantasia: Harry's presence grounds it in acute, self-aware reality.\"\n

In July 1985, Harry and Warhol collaborated on a presentation for Commodore at Lincoln Center, and she was given an Amiga 1000 computer. Later that year, she was the first guest on Warhol's MTV show Andy Warhol's Fifteen Minutes. Harry said of her friendship with Warhol, \"I think the best thing [Andy Warhol] taught me was always to be open to new things, new music, new style, new bands, new technology and just go with it. Never get mired in the past and always accept new things whatever age you are.\"\n

A new single, \"Feel the Spin\" (taken from the film Krush Groove), was released as a limited 12\" single in 1985, which peaked at No. 5 on the Billboard Dance chart. In 1986, Harry released her second solo album, called Rockbird, which peaked at No. 97 in the US, and No. 31 in the UK (where it has been certified gold for 100,000 sales by the BPI). The single \"French Kissin' in the USA\" gave Harry her only UK solo top 10 hit (No. 8) and became a moderate US hit (No. 57). Other singles released from the album were \"Free to Fall\" and \"In Love with Love\", with the latter completely re-recorded in London with hit British producers Stock Aitken Waterman (SAW). The track hit No. 1 on the US Dance Charts and was released with several remixes. Harry also recorded another track with SAW during the same sessions, \"Mind Over Matter\", which was never officially released.\n

In 1987, Harry starred opposite Alec Baldwin in the comedy mystery film Forever, Lulu, playing the title character.\n

\"Liar, Liar\" was recorded by Harry for the soundtrack album Married to the Mob in 1988 and was produced by Mike Chapman. It was their first collaboration since the 1982 Blondie album The Hunter. The same year, Harry starred as Velma Von Tussle in John Waters's satirical dance film Hairspray.\n

Her next solo venture was the album Def, Dumb and Blonde in 1989. At this point Harry reverted from \"Debbie\" to \"Deborah\" as her professional name. The first single \"I Want That Man\" was a hit in Europe and Australia and on the US Modern Rock Charts. The success of the single propelled the album to No. 12 on the UK chart, where it earned a silver disc. However, with little promotion from her record company in the US, it peaked at No. 123. She followed this up with the ballad \"Brite Side\" and the club hit \"Sweet and Low\". \"Maybe for Sure\", a reworked version of \"Angel's Song\" she'd recorded for the Rock and Rule animated film, was the fourth single released from the album in June 1990 to coincide with a UK tour (her second in six months). The track \"Kiss It Better\" was also a Top 15 Modern Rock single in the US.\n

Harry also appeared in film during this time, with a supporting part in Tales from the Darkside: The Movie (1990). From 1989 to 1991, Harry toured extensively across the world with former Blondie guitarist Chris Stein, Underworld's Karl Hyde, and future Blondie bassist Leigh Foxx. In July 1991 she played Wembley Stadium, supporting INXS. In 1991, Chrysalis released a new \"best of\" compilation in Europe entitled The Complete Picture: The Very Best of Deborah Harry and Blondie, containing hits with Blondie as well as her solo hits. The collection reached No. 3 in the UK album chart and earned a gold disc. The album also included her duet with Iggy Pop of the Cole Porter song \"Well, Did You Evah!\" from the 1990 Red Hot + Blue AIDS charity album.\n

In 1992, Harry collaborated with German post-punk band Die Haut on the track \"Don't Cross My Mind\" and released the song \"Prelude to a Kiss\" on the soundtrack to the film of the same name. She also released a cover of \"Summertime Blues\" from the soundtrack to the film That Night in Australia. Her fourth solo album, Debravation, was released in July 1993. The album peaked at No. 24 in the UK but was less successful in the US. The album's first single was \"I Can See Clearly\", which peaked at No. 23 in the UK and No. 2 on the US dance charts. This was followed by \"Strike Me Pink\" in September. Controversy surrounded the latter track's promotional video, which featured a man drowning in a water tank, resulting in its being banned. US editions of the album feature two additional tracks recorded with prerecorded music by R.E.M.: \"Tear Drops\" and a cover of Skeeter Davis's 1961 hit \"My Last Date (with You)\". Also in 1993, Harry had a supporting role in a John Carpenter-directed segment of the anthology horror film Body Bags.\n

In November 1993, Harry toured the UK with Stein, guitarist Peter Min, bassist Greta Brinkman, and drummer James Murphy. The set list of the Debravation Tour featured an offbeat selection of Harry material including the previously unreleased track \"Close Your Eyes\" (from 1989) and \"Ordinary Bummer\" (from the Stein-produced Iggy Pop album Zombie Birdhouse, a track that, under the moniker Adolph's Dog, Blondie covered in 1997). Tentative plans to record these shows and release them as a live double CD never came to fruition. However, covers of the Rolling Stones' \"Wild Horses\" and David Oliver's \"Love TKO\" exist as bootlegs. In early 1994, Harry took the Debravation tour to the US. In the UK, Harry's long tenure with Chrysalis Records also came to an end after Debravation's lackluster sales, but the label released all of Blondie's albums and Harry's KooKoo album (for the first time on CD) as remastered editions with bonus tracks.\n

In the mid 1990s, Harry worked as a guest vocalist on several projects: She joined the avant-garde jazz ensemble the Jazz Passengers in 1994, appearing on their album In Love (1994). Harry also reunited with Blondie keyboardist Jimmy Destri for a cover of Otis Blackwell's \"Don't Be Cruel\" for the 1995 album Brace Yourself! A Tribute to Otis Blackwell. During this period, she also recorded a duet with actor Robert Jacks titled \"Der Einziger Weg (The Only Way)\", a theme for the horror film Texas Chainsaw Massacre: The Next Generation (1994), which was recorded in German and in English. Harry also served as a vocalist in Talking Heads side project the Heads' 1996 release No Talking, Just Head, followed by the Jazz Passengers' Individually Twisted (1997). The same year, she collaborated with Jazz Passengers' Bill Ware in his side project Groove Thing, singing lead vocals on the club hit \"Command and Obey\". Another Jazz Passengers collaboration, \"The City in the Sea\", appeared on the Edgar Allan Poe tribute album Closed on Account of Rabies (1997).\n

In film, Harry co-starred with Pruitt Taylor Vince and Liv Tyler in James Mangold's directorial debut Heavy (1995), playing a misanthropic waitress at an upstate New York restaurant. The following year, she filmed Mangold's Cop Land (1997), a neo-noir thriller in which she portrayed a bartender.\n

The singer has suggested she would like her role in any biopic to be played by Florence Pugh.\n

1997–2007: Blondie reformation and solo output

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In 1997, Blondie began working together again for the first time in 15 years. The four original members (Harry, Stein, Clem Burke and Jimmy Destri) began sessions for what would become Blondie's seventh studio album, No Exit (1999). The lead single from the album, \"Maria\", debuted at No. 1 in the UK, giving Blondie their sixth UK No. 1 hit. \"Maria\" also reached No. 1 in 14 countries, the top 10 on the US Dance Charts, and Top 20 on the US Adult Top 40 Charts. No Exit debuted at No. 3 in the UK and No. 17 in the US.\n

Harry appears on the 2001 Bill Ware album Vibes 4 singing the track \"Me and You\" as well as on former Police guitarist Andy Summers's album Peggy's Blue Skylight on the track \"Weird Nightmare\". A techno cover of Stan Jones' \"Ghost Riders in the Sky\" was featured on the soundtrack to the 1998 film Three Businessmen, and was available on her website to download. Harry sings on two tracks on Andrea Griminelli's Cinema Italiano project: \"You'll Come to Me\" (inspired by Amarcord's main theme) and \"When Love Comes By\" (from Il Postino), as well as on a tribute album reinterpreting the music of Harold Arlen, on which she sings the title track \"Stormy Weather\". In May 2002, she accompanied the Jazz Passengers and the BBC Concert Orchestra in a performance of her jazz material at the Barbican Centre in London. In 2003, she was featured vocalist on the song \"Uncontrollable Love\" by DJ duo Blow-Up. She also sang on the version of \"Waltzing Matilda\" recorded by Dan Zanes and Friends, released on the 2003 album House Party. The same year, Blondie released the album The Curse of Blondie (2003).\n

In 2006, Harry started work in New York City on her fifth solo album, Necessary Evil (released in 2007). Working with production duo Super Buddha (who produced the remix of Blondie's \"In the Flesh\" for the 2005 Sound and Vision compilation), the first music to surface in was a hip-hop track titled \"Dirty and Deep\" in which she spoke out against rapper Lil' Kim's incarceration. Throughout 2006, a number of new tracks surfaced on Harry's Myspace page, including \"Charm Alarm\", \"Deep End\", \"Love with a Vengeance\", \"School for Scandal\", and \"Necessary Evil\", as well as duets she recorded with Miss Guy (of Toilet Böys fame), \"God Save New York\" and \"New York Groove\". A streaming version of the lead single, \"Two Times Blue\", was added to Harry's Myspace page in May 2007. On June 6, 2007, a downloadable version was released via her official website.\n

In 2007, Harry delineated the different personae (Blondie the band, her role in the band, and Deborah Harry the singer) to an interviewer who asked why she played only solo music on the 2007 True Colors World Tour with Cyndi Lauper: \"I've put together a new trio with no Blondie members in it. I really want to make a clear definition between Debbie's solo projects and Blondie, and I hope that the audience can appreciate that and also appreciate this other material.\"\n

Harry's fifth solo album, Necessary Evil (2007), was released after she completed the True Colors World Tour. The first single, \"Two Times Blue\", peaked at No. 5 on the US Dance Club Play chart. The album peaked at No. 86 in the UK and No. 37 in the U.S. Billboard Top Independent Albums chart. Harry performed \"Two Times Blue\" on various talk shows to promote the album. She also started a 22-date US tour on November 8, lasting until December 9, playing small venues and clubs across the country. On January 18, 2008, an official music video for \"If I Had You\" was released.\n

2008–present: Further musical endeavors

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Harry contributed to Fall Out Boy's 2008 album Folie à Deux, singing on the chorus of the album's closer \"West Coast Smoker\". In 2010, Harry began a series of recordings (featuring solo songs and duets with Nick Cave and others) for The Jeffrey Lee Pierce Sessions Project. Blondie released their ninth studio album, Panic of Girls, in 2011.\n

In 2014, Harry made a guest appearance with Arcade Fire at the Coachella, Harry would appear again, with Blondie, at Coachella in 2023. In May 2014, Blondie released their tenth studio album Ghosts of Download. In 2015, Harry and Stein made a guest appearance alongside the Gregory Brothers in an episode of Songify the News, and they collaborated again to parody the United States presidential election debates, 2016. In March 2015, Harry held a residency of several weeks at the Café Carlyle in New York.\n

Blondie's eleventh studio album, Pollinator, was released in May 2017, and debuted at No. 4 in the UK. In October 2019, Harry released a memoir, Face It, through Dey Street Books. In 2020, Harry cameoed on the third episode of the romantic comedy web television series High Fidelity. In 2023, Rolling Stone ranked Harry at number 168 on its list of the 200 Greatest Singers of All Time.\n

Harry collaborated with the Dandy Warhols and NALA on the track \"IWNSLY\", released in July 2023. She also contributed vocals to the track \"I Will Never Stop Loving You\", which was released as a single and featured on the 2024 Dandy Warhols album Rockmaker.\n

On May 8, 2026, it was announced that Harry would star alongside Pamela Anderson in the upcoming film comedy Maitreya.\n

Blondie's twelfth studio album, High Noon, is scheduled to be released February 26, 2027.\n

Personal life

Harry had a 13-year relationship with Blondie guitarist Chris Stein. In 1982, Stein was diagnosed with pemphigus vulgaris, a rare autoimmune disease of the skin, and Harry cared for him during his recovery. During this period, the couple also faced financial difficulties after the IRS seized assets over unpaid taxes, and both struggled with heroin addiction. In a 1993 interview with Q, Harry said that \"drugs was chic\" and that \"everybody in New York was fooling around with drugs.\" In a 2019 interview with The Guardian, she described her heroin use as a \"necessary evil\" and, \"to some degree,\" a form of \"self-medicating\" during \"a rough, depressing time, but then it outlived its benefits.\"\n

Harry and Stein ended their relationship in February 1987 partly due to their growing apart and Harry discontinuing methadone while he remained on it. Despite their separation, they remained close friends, and Harry is the godmother of Stein's two daughters.\n

Harry was in a romantic relationship with Penn Jillette in the 1990s.\n

In 2014, Harry was asked if she had relationships with women in her youth. She said she had tried to but had very little experience. She also attributed the ones she did have to hormones, drug use and youthful curiosity. In an interview with Daily Mail, she stated “Those days have gone by actually. I have great affection for some of my female friends but I think maybe when I was younger it might have been a little more hormonal and our hormones change.” Harry has stated that she is heterosexual and is only attracted to men.\n

\nIn her 2019 memoir, Face It: A Memoir, Harry describes having been raped at knifepoint during a burglary of the apartment she shared with Stein in the 1970s. She also wrote that during the early 1970s, the serial killer Ted Bundy lured her into his car in New York City, but she escaped. Harry's description of the white vehicle stripped on the inside and missing the passenger door handle matched the 1968 VW Bundy was driving, but authorities believed him to be in Florida at the time. Ann Rule, author of the Bundy biography The Stranger Beside Me, commented that erroneous claims of Bundy abductions are fairly common.

As of 2019, Harry lives in the Chelsea neighborhood of New York City and in Middletown Township, New Jersey with her four dogs. \n

Philanthropy

In a 2011 interview, Harry said that \"After witnessing Elton John and his tireless efforts against HIV/AIDS\", she had been inspired to make philanthropy her top priority. She said, \"These things are important to my life now. I have the privilege of being able to get involved, so I do. I applaud people like Elton John, who have used their position to do so much good.\" Some of Harry's preferred charities include those devoted to fighting cancer and endometriosis.\n

Discography

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Studio albums\n

KooKoo (1981)
Rockbird (1986)
Def, Dumb & Blonde (1989)
Debravation (1993)
Necessary Evil (2007)

Compilations and other albums\n

Once More into the Bleach (1988, Debbie Harry and Blondie)
The Complete Picture: The Very Best of Deborah Harry and Blondie (1991, Deborah Harry and Blondie)
Deborah Harry Collection (1998)
Most of All: The Best of Deborah Harry (1999)

Filmography

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Bibliography

Making Tracks: The Rise of Blondie (1982) by Debbie Harry, Chris Stein and Victor Bockris ISBN-10: 0241108381/-13: 978-0241108383
Foreword to Debbie Harry and Blondie: Picture This (2011)
Face It (2019) by Debbie Harry, HarperCollins ISBN-10: 0008229422/-13: 978-0008229429

References

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Sources

Harry, Debbie (2019). Face It: A Memoir. New York: Dey Street Books. ISBN 978-0-063-00957-8.
Porter, Dick; Needs, Kris (2012). Blondie: Parallel Lives. Music Sales Group. ISBN 978-0-857-12780-8.

External links

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Official Blondie website
Debbie Harry at IMDb
Debbie Harry discography at Discogs
Debbie Harry discography at MusicBrainz

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Debbie Harry

Broadcast History